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When a film that rakes in big box office numbers faces an alarming volume of critical backlash, it is a challenge for filmmakers and production companies to know what parts of their formula to tweak for the sequel. Case in point, 2012’s THE AMAZING SPIDER-MAN. While the franchise reboot was not universally panned, fans and critics who saw glaring issues with the film were much more vocal than you might find with other lifeless blockbusters. Sony Pictures and, by extension, director Marc Webb had to have had this in mind when developing THE AMAZING SPIDER-MAN 2, and the result is a sequel that is substantially better than that its predecessor. Don’t get me wrong; it isn’t a great film, and perhaps this review will be equal parts whining about what I don’t like and damning the film with otherwise faint praise. Either way, I think it is worth noting that the filmmakers at least tried to make a better film than the previous installment.
THE AMAZING SPIDER-MAN 2 presents itself more like a trailer for the four upcoming Spider-man franchise films that have been announced than as a work that can stand on its own two feet. I’m not normally one to complain about franchise building in the age of modern-day filmmaking; Disney/Marvel thrives by positioning each of their films as a teaser for the next to come, and Warner Bros. is looking to emulate that strategy with the JUSTICE LEAGUE franchise. What the AVENGERS films do effectively is contain their narratives in way that are individually satisfying if not seen in the context of the overarching cinematic universe. THE AMAZING SPIDER-MAN 2, on the other hand, clumsily juggles several narrative threads that serve no purpose than to set up the sequels. Read the rest of this entry »